Oedipus - The Tragic Hero Essays - Ancient Greek Theatre

Oedipus - The Tragic Hero Essays - Ancient Greek Theatre Oedipus - The Tragic Hero In the play Oedipus Rex by Sophocles, Oedipus is a classic tragic hero. According to Aristotle's definition, Oedipus is a tragic hero because he is a king whose life falls apart when he finds out his life story. There are a number of characteristics described by Aristotle that identify a tragic hero. For example, a tragic hero must cause his own downfall; his fate is not deserved, and his punishment exceeds the crime; he also must be of noble stature and have greatness. Oedipus is in love with his idealized self, but neither the grandiose nor the depressive Narcissus can really love himself (Miller 67). All of the above characteristics make Oedipus a tragic hero according to Aristotle's ideas about tragedy, and a narcissist. Using Oedipus as an ideal model, Aristotle says that a tragic hero must be an important or influential man who makes an error in judgment, and who must then suffer the consequences of his actions. Those actions are seen when Oedipus forces Teiresias to reveal his destiny and his father's name. When Teiresias tries to warn him by saying I say that you and your most dearly loved are wrapped together in a hideous sin, blind to the horror of it (Sophocles 428). Oedipus still does not care and proceeds with his questioning as if he did not understand what Teiresias was talking about. The tragic hero must learn a lesson from his errors in judgment and become an example to the audience of what happens when great men fall from their lofty social or political positions. According to Miller, a person who is great, who is admired everywhere, and needs this admiration to survive, has one of the extreme forms of narcissism, which is grandiosity. Grandiosity can be seen when a person admires himself, his qualities, such as beauty, cleverness, and talents, and his success and achievements greatly. If one of these happens to fail, then the catastrophe of a severe depression is near (Miller 34). Those actions happen when the Herdsman tells Oedipus who his mother is, and Oedipus replies Oh, oh, then everything has come out true. Light, I shall not look on you Again. I have been born where I should not be born, I have been married where I should not marry, I have killed whom I should not kill; now all is clear (Sophocles 1144). Oedipus's decision to pursue his questioning is wrong; his grandiosity blinded him and, therefore, his fate is not deserved, but it is far beyond his control. A prophecy is foretold to Laius, the father of Oedipus, that the destiny of Oedipus is a terrible one beyond his control. But when it is prophesized to Oedipus, he sets forth from the city of his foster parents in order to prevent this terrible fate from occurring. Oedipus's destiny is not deserved because he is being punished for his parent's actions. His birth parents seek the advice of the Delphi Oracle, who recommends that they should not have any children. When the boy is born, Laius is overcome with terror when he remembers the oracle. Oedipus is abandoned by his birth parents and is denied their love, which is what results in what Miller calls Depression as Denial of the Self. Depression results from a denial of one's own emotional reactions, and we cannot really love if we deny our truth, the truth about our parents and caregivers as, well as about ourselves (Miller 43). The birth of Oedipus presets his destiny to result in tragedy even though he is of noble birth. In tragedies, protagonists are usually of the nobility that makes their falls seem greater. Oedipus just happens to be born a prince, and he has saved a kingdom that is rightfully his from the Sphinx. His destiny is to be of noble stature from birth, which is denied to him by his parents, but given back by the Sphinx. His nobility deceived him as well as his reflection, since it shows only his perfect, wonderful face and not his inner world, his pain, his history (Miller 66). When he relies on his status, he is blind, not physically, but emotionally. He is